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  • Poetry & music. Not always in that order.

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July 08, 2008

Contrast Podcast- Monkeys and Apes

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This week the Contrast Podcast goes ape. I cannot wait to hear what everyone came up with for this one. Listen or download here.

I am new to the podcast and positively astonished at the amount of music my compadres have on their computers. Eiron mentioned that he has over three hours of music about cherries and over two hundred versions of House of the Rising Sun. My hero The Vinyl Villain has over 12,000 songs on his iPod alone.

These kinds of remarks make me wonder if we aren't a bit behind the times here at A Sweet Unrest World Headquarters, where every CP submission involves drifting from room to room to peek into all the little nooks where the CDs live, plus at least two trips to the garage to look through the archives. Perhaps a more aggressive digitization policy is in order.

So if you have time to comment and don't mind getting technical, I'd love to know how you have your music stored- what size hard drive, how you get the vinyl and bootleg concert cassettes into the shiny machine- that kind of thing.

July 07, 2008

Special Orders

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I've written about Edward Hirsch before, but only his prose. I hadn't read any of his poetry until last week when his latest collection, Special Orders, was finally waiting for me at the library. I like the book- I like many of the individual poems and I like the way they all flow together to form a narrative of his life.

This one stood out for me immediately. It's accessible but also made me think a lot over some of his word choices. I think it captures a bit how uncomfortable it can feel to be an American.

Krakow, 6 A.M.

I sit in a corner of the town square
and let the ancient city move through me.
I sip a cup of coffee, write a little,
and watch an old woman sweeping the stairs.

Poland is waking up now: blackbirds patrol
the cobblestones, nuns rush by in habits,
and the clock tower strikes six times.
Day breaks into the night's reverie.

The morning is as fresh and clean
as a butcher's apron hanging in a shop.
Now it is pressed and white, but soon
it will be spotted with blood.

Europe is waking up, but America
is going to sleep, a gangly teenager
sprawled out on a comfortable bed.
He has large hands and feet

and his dreams are innocent and bloodthirsty.
I want to throw a blanket over his shoulders
and tuck him in again, like a child,
now that his sleep is no longer untroubled.

I'm alone here in the Old World
where poetry matters, old hatreds seethe,
and history wears a crown of thorns.
Fresh bread wafts from the ovens

and daily life follows its own inexorable
course, like a drunk weaving slowly
across a courtyard, or a Dutch maid
throwing open the heavy shutters.

I suppose there's always a shopgirl
stationed in the doorway, a beggar taking up
his corner post, and newspapers fluttering
from store to store with bad news.

Poetry, too, seeks a place in the world-
feasting on darkness but needing light,
taking confession, listening for bells,
for the first strains of music in a town square.

Europe is going to work now-
look at those two businessmen hurrying
past the statue of the national bard-
as her younger brother sleeps

on the other side of the ocean,
innocent and violent, dreaming of glory.

NPR has a nice interview with Hirsch- I really, really recommend it. He reads several poems from this collection, including another one of my favorites, Self-portrait. I was familiar with his background but I was still surprised by his voice, his accent. I guess I naively expect all American poets to sound like Boston Brahmins.

July 02, 2008

#@!% Wordsworth

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Not really. I mean, I am angry, but I'm angry with myself and taking it out on him. I haven't been paying attention, I've been coasting along and now I realize that I am six books into The Prelude and I have no idea what is going on. None. It was the passage about Mount Blanc and Chamonix that brought it home. Since I've been there I felt I could, finally, relate to one of his experiences so I stopped to think about it and that's when I noticed that I don't understand any of it. Here is the beginning of the passage:

That day we first
Beheld the summit of Mont Blanc, and grieved
To have a soulless image on the eye
Which had usurped upon a living thought
That never more could be.

OK, what? It's one of the most jaw-dropping sights in the world, so what is the problem? So I reread this book, which is called Cambridge and the Alps, and I found this passage which I vaguely remembered. This is about his life at Cambridge, before the trip:

And not to leave the picture of that time
Imperfect, with these habits I must rank
A melancholy (from humours of the blood
In part, and partly taken up) that loved
A pensive sky, sad days, and piping winds,
The twilight more than the dawn, autumn than spring-
A treasured and luxurious gloom, of choice
And inclination mainly, and the mere
Redundancy of youth's contentedness.

I think I get this part, it's like choosing to wear all black and listen to a lot of Smiths maybe. So then I thought that his mopey reaction to Mont Blanc was a matter of teenage moodiness (actually I don't know exactly how old he is at this point, but that is the least of my worries and anyway it's post-university, so an angsty time). I was going with that, but then what he says next still doesn't make any sense to me. Here's the whole passage:

That day we first
Beheld the summit of Mont Blanc, and grieved
To have a soulless image on the eye
Which had usurped upon a living thought
That never more could be. The wondrous Vale
Of Chamouny did on the following dawn,
With it's dumb cataracts and streams of ice,
A motionless array of mighty waves,
Five rivers broad and vast, make rich amends,
and reconciled us to realities.

So then to the OED (the two-volume Shorter- I once worked in a place that had the entire glorious 20 volume set and it was shelved right next to my desk, so basically heaven on earth as I spent slow periods happily reading away and it looked like I was working) to find out that 'dumb cataracts' means silent waterfalls. OK... I still don't know what he is saying here. Imagining Mont Blanc is better than seeing it, the waterfalls are silent, the water is frozen, the waves are motionless and.. what? What does this mean? Anyone? Bueller?

While I await your thoughts (please!), I am going to start the whole thing over from the beginning. I will understand this.

And later, when I'm not in a temper, I may admit that the language is rather beautiful whether or not I get it.

July 01, 2008

Contrast Podcast- Hot! Hot! Hot!

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This week's Contrast Podcast celebrates summer, which is apparently a season of sun and warmth in many places. But who needs actual nice weather when we can listen to songs about the heat right here?

June 29, 2008

Cherries

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This post was inspired by equal parts MJRC, who reminded me how much I love cherries, and Nat, who reminded me how much I love the John Mellencamp song Cherry Bomb.

I haven't taken many pictures this week but I had to snap these. We've had a lot of fires around here and the air is smoky so the light is strange. I haven't written much about The Prelude because Wordsworth and I are still slogging it out in the Alps. I was happy to get to this part because I've actually been hiking and camping around Mont Blanc and Chamonix, so now I feel like Wordsworth and I have a little something in common. In fact, it was while coming down from Mont Blanc that I discovered I have a touch of le vertige. I had to have my hand held all the way down but that wasn't so bad. I made it. The night sky there was incredibly beautiful- I'd never seen stars like that, and I haven't since. I would go outside my tent in the middle of the night and stare up at them even though it was cold. Wordsworth seems to have been less impressed but I'll write about that a bit later as I'm still puzzling it out. In the meantime, I will try to entertain. Once a showgirl, always a showgirl.

So, cherry songs! I started thinking about cherry songs and other than Cherry Bomb I thought of Warrant's Cherry Pie, which requires no elaboration, and also Cherry Tulips by Headlights, which I was on the fence about at first. But I like it, though not as much as I like Market Girl. Both are on their MySpace.

Any other cherry songs? What am I missing?

Even though it was not a warm a day today, I lay out on a blanket in the garden for a bit, eating the cherries and remembering so clearly what it felt like to be seventeen. I do still, truly, believe that holding hands means something, and that dancing means everything. Maybe more now than ever.

June 26, 2008

Sweet Thing

I wanted to highlight some of my favorite performances for Black Music Month but we can all see how far that's gotten (and if you haven't checked in for a bit, that would be nowhere). But I can make it all right with one song. This is originally a Chaka and Rufus tune, and that version is fantastic. It's the one I grew up with and would have been perfectly happy with all my life- if I hadn't ever heard this one by Mary J. Blige. The reason I like this one more is the intensity, the raw and ragged desperation in her voice that never lets up. I mean, that opening lyric puts everything on the line, right up front- 'I will love you anyway, even if you cannot stay... ' The vibe in the Chaka & Rufus version goes back and forth from desperation to laid-back funk. In Mary's version, the tension builds and builds, and I think it takes over in the second half of the song, from the 'you are my heat, you are my fire...' When Mary belts out that 'love me now or I'll go crazy' right there, you fear it may already be too late. I love the Chaka and Rufus, but Mary makes me break out in a cold sweat. Every time.

Some of her stuff can be too over the top for me but on this one, I think she gets it just right. It's from her first album, What's The 411, which I can't really recommend like I can her second, My Life, but I do have a soft spot for it. It's a little rough around the edges, not nearly as slick as her others. It's available everywhere.


Sweet Thing

June 24, 2008

Contrast Podcast- Babies

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This week's Contrast Podcast is all about babies. Finally, some good parenting tips! Download or listen right here.

June 22, 2008

The Romantic Imagination

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I picked this book up used and I like it. It's a collection of lectures given at Harvard in 1948-1949 by CM Bowra. The first and last chapters are about the English Romantics in general, and each of the middle chapters is devoted to one of the major Romantic poets. For each poet, Bowra looks at a representative poem in detail (for example, for Keats he takes Ode to a Grecian Urn) and he uses this as a departure point to discuss the poet's work, career and his place in Romantic thought.

I've found this book to be extremely helpful and a pretty good read too. I keep returning to it- it's the perfect companion to my project of reading through the Romantic poets. Here's a quote I love- Bowra is discussing how important the real, everyday world was to the Romantics:

"There are perhaps poets who live entirely in dreams and hardly notice the familiar scene, but the Romantics are not of their number. Indeed, their strength comes largely from the way in which they throw a new and magic light on the common face of nature and lure us to look for some explanation for the irresistible attraction which it exerts. In nature all the Romantic poets found their initial inspiration. It was not everything to them, but they would have been nothing without it; for through it they found those exalting moments when they passed from sight to vision and pierced, as they thought, to the secrets of the universe."

I can definitely see the truth of this in the Keats I read, and the importance of nature to Wordsworth is made very clear right from the beginning of The Prelude as well. But, say for us today, can this kind of inspiration only come from nature? Or is it possible to see whatever the 'familiar scene' is, even if it's a city scene, in a 'new and magic light'? Do you have to be in nature to pierce the secrets of the universe?

June 18, 2008

The Vinyl Villain

Just a quick note to wish my blogging hero, The Vinyl Villain, a very happy birthday. I can't recommend his 45 at 45 series highly enough. To me it represents what is best about music blogging. Not only does he have fantastic taste in music and lots of rare goodies, but he tells a great, heartfelt story about each track and it is really a joy to read. And the song he has at number one will not disappoint anyone either!!

June 17, 2008

Contrast Podcast- Pop The Question

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This week's Contrast Podcast is made up entirely of songs whose titles are questions. You can download the episode or listen to it from the website by clicking right here. Why wait?